Welcome to Movie Reviews of the Reel World

Welcome all to an ongoing review of movies older and newer. I will connect each movie to the next one through its actors, directors, or genre. For example: if one movie has a certain actor, I will connect it to the next movie by picking a movie with the same actor. The connection will not be the same everytime. Luckily for all readers, at the start of every month I will post a list of movies to be reviewed for that month, and as an added bonus, every July will have an actor or director of the month; I will spend the whole month reviewing only movies done by that actor or director. The director or actor of July will be announced every June. Reviews will be posted once a week. Enjoy!































































Sunday, February 27, 2011

“Zardoz” (1974) [R]

     While “Zardoz” is an entertaining tale, it’s all too clearly a film of the seventies because of its odd cinematography and way of storytelling. It has beautiful scenery and sets like none other; it also has a wardrobe with styles and colors that could only be a product of the seventies. This movie’s best quality—one which only a smaller percent of pictures carry—is that it poses many great questions about both society and religion. However, the way in which the story is told can somewhat confuse some of the audience at times.
     The exterior scenes in this film are stunningly done, showing landscapes of grass and rolling hills, along with a few of the scenes set in eye-catching forests. These scenes draw the audience in with such beauty, but can occasionally cause the viewers to forget what’s really going on in the story. There are times when watching the outdoor sections that it will seem like watching a Fantasy tale instead of a Sci-fi story. The sets on the indoor scenes are amazing, especially for the time it was made. They were perfect illustrations for they utopian town where Sean Connery’s character ends up for most of the movie.
     Nonetheless, scenery and good landscapes alone don’t make good movies. In “Zardoz,” the wardrobe chosen for the actors was nothing short of diverse. There are three different groups in this film: the Eternals, who live eternally in a utopia called Vortex; the Brutals, who are uncivilized and are told by their god that when they die they will go to Vortex to be with the Immortals; and then there are the Exterminator-class Brutals who fight and kill other Brutals in war. The Brutals’ costumes seem like cavemen-style hides, and the Eternals’ wardrobe consists of futuristic gowns and shirts. Although the Eternals’ costumes do look futuristic, their colors are too much like the colors regularly worn in the seventies, therefore losing the sense of a futuristic movie.
     Of all the entertainment that comes from this film, the best of it all is how “Zardoz” raises questions about many things. It is a question of religion, showing a sort of false religion that is exposed for what it really is. It also brings up many questions of society, defying the norm by setting the Exterminator-class Brutal played by Sean Connery into the utopia of the Eternal’s civilization. With all of its controversial inquisitions, this movie seems more like a “thought” movie mixed in with an Action/Sci-fi tale. It’s an entertaining show; however the way in which the story itself is presented can confuse some of the audience. There are times when the movie cuts to another scene, and at first some viewers won’t understand what’s happening until they catch a certain part of dialogue, or see exactly where the characters are. All in all, it’s worth at least giving it a chance.
     My overall rating: 3 out of 5

No comments:

Post a Comment