Welcome to Movie Reviews of the Reel World

Welcome all to an ongoing review of movies older and newer. I will connect each movie to the next one through its actors, directors, or genre. For example: if one movie has a certain actor, I will connect it to the next movie by picking a movie with the same actor. The connection will not be the same everytime. Luckily for all readers, at the start of every month I will post a list of movies to be reviewed for that month, and as an added bonus, every July will have an actor or director of the month; I will spend the whole month reviewing only movies done by that actor or director. The director or actor of July will be announced every June. Reviews will be posted once a week. Enjoy!































































Saturday, February 5, 2011

“From Dusk Till Dawn” (1996) [R]

     “From Dusk Till Dawn” is a turn in filmmaking for Robert Rodriguez. It was the first of his movies to have vampires. The screenplay is commendable, along with the fact that this picture was one of the first to change genres halfway through and the cinematography was experimental to say the least. The one disadvantage to this film is that it is too similar to other Rodriguez movies, which shows that he makes incredible flicks, but only does so with one type.
     The screenplay of this film is commendable for its action and its surprises. Written by Quentin Tarantino, the script has action that almost never stops. The movie is meant to be action-packed, nothing else, and it answers to that call. It also contains a few twists and turns for the viewers; if for some reason the surprises don’t hold enough of the viewer’s interests, then the action most certainly will keep their attention.
     The genre for this show is a little more difficult to pin down than it is for others. The story starts out as a crime action and takes a major turn about halfway through. Just when the audience gets used to watching a movie about criminals on the lamb, it changes like an animal going one direction and suddenly deciding to go completely the other way. It changes into a horror film when the criminals find themselves in the company of vampires. Such an interesting twist can make or break how well the viewers will enjoy this movie.
     Robert Rodriguez showed the world some of his best cinematography with this movie. He made sure the cameras shot everything just the way he wanted and when it came time for the edit he set the filming in the perfect order to compliment the story and give the audience the full view of everything that happened. He also used it as a chance to do some experimental cinematography which led the way for some lower end directors. This new style of filming was to make the audience feel as if they were in a video game during the high-paced action shots; it works incredibly well with Tarantino’s screenplay.
     The main weakness of “From Dusk Till Dawn” is that it is far too similar to other works that Rodriguez and Tarantino have done. They have time and time again proven that they can make intriguing crime action features, which will tell movie-goers, one thing: they need to show that they can do well on other types of motion pictures as well. After watching many other Tarantino or Rodriguez pictures people can begin to get the idea that they enjoy making only action thrillers. This is all well and good, but truly amazing filmmakers throughout history have been able to show that they are adept at many different styles. Although this movie was one of their first takes on horror stories, it just has too much in common with their other projects.
          My overall rating: 2.5 out of 5

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