Welcome to Movie Reviews of the Reel World

Welcome all to an ongoing review of movies older and newer. I will connect each movie to the next one through its actors, directors, or genre. For example: if one movie has a certain actor, I will connect it to the next movie by picking a movie with the same actor. The connection will not be the same everytime. Luckily for all readers, at the start of every month I will post a list of movies to be reviewed for that month, and as an added bonus, every July will have an actor or director of the month; I will spend the whole month reviewing only movies done by that actor or director. The director or actor of July will be announced every June. Reviews will be posted once a week. Enjoy!































































Wednesday, February 16, 2011

“Barton Fink” (1991) [R]

     “Barton Fink” is one of those movies that usually don’t show up on people’s radar. Some people probably won’t even remember much advertising for it either. This period piece set in the forties is an excellent look into a writer’s life. It is an intriguing drama with some of the best dialogue seen in any of the Coen brother’s movies. It is also filled to the brim with symbolism, including things in the dialogue and objects in the scenes. This film is truly deserving of the Oscar-nomination it received, however the only bad thing about it is that the way it was laid out can be a bit confusing at first to anyone who doesn’t quite catch the symbolism.
     The story, set in the forties, did a remarkable job of taking the audience back to that time. It is one of the most entertaining period pieces that have been made so far. The Coen brothers proved themselves yet again as incredible filmmakers. They also gave an excellent look into the life of a writer, and what it can be like struggling through writer’s block. The whole movie, in fact, is set over the writer, played by John Turturro, who is trying to write a script and can’t because of the block. John Turturro really became the character in this movie, acting like writers of that time.
     Dialogue is an interesting thing to pay attention to in movies, and can be a stressful thing when writing it out. It’s hard enough to write out a dialogue for a movie, and it’s just as hard, if not harder, to act it out. The Coen brothers did an amazing job on the dialogue, and the actors did just as good when acting it out for the cameras. Much of the dialogue is filled with little conversational fillers that were true to that time such as “I sure am sorry there,” and “Well ain’t that a kick in the head.” The conversational fillers were simply ways of making your conversation longer, and were popular in that time, which only does more to make the audience feel like they really are in that era.
     Another thing that can be a hassle for filmmakers to put in their movies is symbolism. It can be a hard thing to remember throughout the story and it can also put up a struggle because of the assumption that everyone in the audience will pick up on it right away. The Coen brothers took the gamble of filling the film with symbols from start to finish, and for the most part it worked. Much of the symbolism is very entertaining, some of which can also be comical, however there is a risk that they run in putting so many symbols in it. Not all of the viewers are going to catch on so easily to some of the symbols. This means that the symbols will go either unnoticed or may even confuse the parts of the audience who don’t catch on. All in all it was a highly entertaining movie worth watching more than once.
          My overall rating: 3.5 out of 5

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